By Kim Evans
As I sit nestled on my living room sofa, I glance at our Christmas tree and think about how every tree tells a story.
We cut this tree on our annual pilgrimage to Fowler’s Tree Farm, where we have found our tree almost every year since I was a girl. Each time I set foot on this particular piece of land, I remember myself at age 8 in my orange flowered coat with the fur-lined hood, hiking on the hill that overlooked many magical acres of Christmas trees in their natural form.
Early in our marriage, my husband and I were opposed to the idea of killing a tree just for use as a decoration in our home. So we went to the tree farm and pulled what I recall was a large branch off a brush pile. The proprietor let us take that one home for free. The following year, I came to the conclusion that Christmas trees on a farm were planted with the intention of being cut, therefore I wasn’t violating any laws of nature. I am glad I allowed myself that process, because it’s no good kicking off the holiday season with a sense of guilt.
Last weekend we joined my mom and dad and went to Fowler’s again. I was sad to learn that owner Harry Fowler had passed away earlier in the year at the age of 93. With this reminder of how quickly time passes, I wonder if my daughter will continue enjoying the tradition of visiting the tree farm as she grows into her teen years. So far I see no signs of her enthusiasm waning, and I value the significance of the shared experience with her grandparents – a special bridge between three generations.
I look at our tree again, now decorated and glittering with lights. I could write an entire story about the ornaments alone. There’s the God’s eye I made in kindergarten, a simple decoration formed by criss-crossing two twigs with yarn woven around in a diamond pattern, forming a bright orange “eye” at the center. There’s also the pine cone I spray-painted and sprinkled with glitter that same year. I’m so glad my mom saved these treasures for me.
I see the white star from Olivia’s first year in preschool, colored by her small hand with blue marker and garnished with gold glitter.
I see the small scroll of sheet music for “Silent Night” hanging from a low branch, a gift from one of my husband’s students during his band directing years.
My favorite ornaments are the ceramic Rudolph, Clarice, and King Moonracer purchased in 1999 at the Morgantown IGA. Each year I pull these boxes out of our ornament bin, slightly more tattered than the year before, I remember our home in Morgantown and the transitional years we spent there.
Seasonal rituals and objects contain keys to our history, and holding them opens up a part of our heart that transcends the moment. This is a real piece of magic, a wonderful gift, if we slow down enough to notice.
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